We are open till September 30 for submissions to the latest in our series of short story anthologies, featuring the best new writing from around the world.
You can find plentiful examples of what we like in our back issues and also in our Story of the Month features, as well as in the periodicals listed under Links. We’re generally looking for literary fiction not genre stories. The only payment we can offer at this time is two copies of the book when it is published. Full details are set out in the submission form.
“Willesden Herald: New Short Stories 11” will be published simultaneously in the US and UK in early 2020 and will be available from the main online booksellers by print on demand. We can also do print runs on favourable terms when bulk orders are requested.
London, July 2: In that too rare spirit of international cooperation, the team behind the New Short Stories book series is getting together again to create another issue with the best short stories we can find. There won’t be a competition this time, it will be a good old submit/accept/reject process with arbitrary editorial decisions completely unaccountable to the world. Yes, traditional, if you like. Details to follow. (Ed.)
“Here are stories of abandonment, exhibitionism, spontaneous combustion, hysteria, people power, reincarnation, cuisine, race relations, orchidaceous tomfoolery and much more. They will take you to hot beaches and deserted nighttime streets, to disputed urban spaces, to an overheated and under-resourced emergency ward, behind the scenes at a fancy restaurant, and to the chill vicinity of deserted lakes and pools. Three are set in America, two in Africa, one each in Wales, Scotland, Ireland, London and darkest Sussex.”
“The Mayes County Christmas Gun Festival” by David Lewis
“Undercurrents” by Gina Challen
“Love and Hair” by Olga Zilberbourg
“Last Call at the Rialto” by Daniel Waugh
“Looking for Nathalie” by Susan Haigh
“All that Remains” by Rob Hawke
Unspeakable secrets, disappeared husbands, bisexual love triangles, revolutionary conspiracies and African odysseys: from Sixties Paris to San Francisco, Arundel to Latin America, poets, murderers, musicians, schoolkids and festive firearms fanciers stalk these pages, waiting to greet you.
It’s not new and it’s not short stories! But it is one of the anthologies we helped to publish back in 2006. And a right purty book it is too.
A tasting menu of poetry from outstanding newcomers alongside established and award-winning poets such as Bill Berkson, Joanne Kyger and Michael Rothenberg. Each poet has a separate section and the physical and visual pleasures of the book are intended to complement the poetry on the pages.
“Cotton-Fisted Scorpions” by Medina Tenour Whiteman
“Postman’s Knock” by Angela Sherlock
“The Beekeeper’s Daughters” by Gina Challen
“Piercings” by Jo Barker Scott
“Rock Pools” by CG Menon
“Rip Rap” by Dan Powell
“Rash” by Megan Taylor
“The Stealing” by Lindsay Waller-Wilkinson
“Such is her Power” by Joan Brennan
Sensual and atmospheric, embattled and defiant, in the throes of turbulent events and viewing from a distance, these stories are windows that open onto the men, women and children of our twenty-first century world. The people portrayed do not seek our pity nor our love but with each turn of a page, we may feel that we want to reach out to them to say, I know, I know, I know – you are not alone.
This is an anthology of poetry from the same publisher as New Short Stories. Poetry and short stories, like horses and goats, make good companions.
The collection brings together poetry by writers currently living in America, Britain, Ireland, Italy and New Zealand. They have little in common other than finding themselves here, in this book, and in the early part of the 21st century, with something to say.
Contributors: Raewyn Alexander, Alex Barr, Lynn Blackadder, Sean Brijbasi, Susan Campbell, David Cooke, Tim Craven, Mikey Delgado, Vanessa Gebbie, Kim Göransson, James Browning Kepple, Charles Lambert, Laura Lee, Andrew Mayne, Geraldine Mills, Stephen Moran, Nuala Ní Chonchúir, Richard Peabody, Lynsey Rose, Judi Sutherland, Lee Webber. The title is taken from a poem by Alex Barr.