This is a story about indistinguishably lifelike robots released by criminals to lure people into relationships on dating apps and in real life, in order to gain access to their credit cards and bank accounts. Or is it? It has a very dry line of wit just below the surface and a lot about not knowing whether someone is real sounds suspiciously like normal life for a woman of a certain age looking for love. There’s a lot more to it than that. It’s terrifically enjoyable in a grim, somewhat hopeless way.
“Kate Folk is a Wallace Stegner Fellow in fiction at Stanford University.” (The New Yorker)
“Contemporary fiction from Britain, Ireland, America and Nigeria, from huge cities to very small towns and on several journeys. We’re at work, at school, in homes, gardens, cities, in the countryside and on the road. There are crises, violence, tragedy, vengeance, reflection and reconciliation. Here are vividly evoked times and places, characters of every kind, and insights into their circumstances and relationships.”
The 15 best international short stories, as submitted to the Willesden Herald in 2019. Editor: Stephen Moran. With an introduction by Gina Challen.
We never miss the chance to plug our own anthologies. So, we have to tell you now that David Means was the judge for the 2013 Willesden Herald international short story competition. The prize mug went to a story by Danielle McLaughlin, which you can read in Willesden Herald: New Short Stories 7.