“They are ﬂames, moving up the hill from the village, torches lighting faces in the crowd. The voices build.”
— For Books’ Sake (@forbookssake) April 15, 2019
(BBC) Countryfile magazine includes a feature on the Cairngorms by Merryn Glover. Merryn’s short story “Rip” (as in rip tide, I recall) was in Willesden Herald New Short Stories 7 (2013) alongside stories by Danielle McLaughlin, Thomas Morris and others.
— SJ Moran (@storyofthemonth) April 1, 2019
All about and how to order Willesden Herald: New Short Stories 7
A new story for March: I Can See a Better Time by @pyjamas_black. Please read and RT.
— the incubator (@IncubatorThe) March 1, 2019
Since we didn’t have a Story of the Month for March. Here, belatedly, is one in the superb monthly short story series from The Incubator. The story is by a writer who is widely-published but, like Banksy, anonymous, known only as The Man in Black Pyjamas.
On this week’s episode of the Writer’s Voice podcast, Lore Segal reads her story “Dandelion,” from the March 25, 2019, issue of the magazine.
— New Yorker Fiction (@NYerFiction) March 19, 2019
A lyrical childhood memory piece of nature and family. It is well-read in the author’s beautiful accent, so evocative of the few treasured remnants of the Kindertransport children who made it to London, in this case from Vienna. (Ref. https://en.wikipedia.org/wiki/Lore_Segal). Other recent contributors to The Writer’s Voice podcast series include Sally Rooney and Yiyun Li. Introduced by the New Yorker’s fiction editor, Deborah Treisman.
You can also read the story, for the time being, online. It begins:
“That Henry James, when he got old, rewrote his early work was my excuse for revisiting, at ninety, a story I had written in my twenties. I was ten years old when I had to leave Austria, so the day with my father in the Alps must have taken place on our last family holiday, the previous August.” (Lore Segal)
The Willesden Herald New Short Stories Story of the Month
April 2019: Name by Sergey Bolmat
He looks at Anne with marked indifference, as if expecting her to introduce herself and explain the purpose of her visit, and then, after a second, makes a little twitch with the left corner of his lips indicating a smile.
‘Well,’ he says, ‘look who’s here.’
Sergey Bolmat published his first novel in Russia to great critical acclaim. To date, he has published three novels, two collections of short stories, many articles and essays in various periodicals, and a biography of Nikolay Chernyshevsky. Some of these books were shortlisted for literary awards, translated into many European languages, adapted for radio, and optioned and developed for film. His first short story written in English appeared in The Higgs Weldon.
* Photo: Sergey Bolmat by Natalia Nikitin (detail)
If you’re interested in Starting to Write, the first two lessons of my free course are up now. https://t.co/U583be8dr2
— Toby Litt (@tobylitt) March 16, 2019
“The aim of this Course is to get you writing and reading with energy, to help you avoid some painful mistakes, and to show you how you can rapidly improve your short stories.”
Don’t forget your form guide to runners and riders for literary awards, The Willesden Herald, if you’re betting at Ladbrokes.
— SJ Moran (@storyofthemonth) March 13, 2019
Congratulations to Danielle McLaughlin on being one of the writers to receive this outstanding award. Danielle was the winner of the Willesden Herald New Short Stories prize 2013, as adjudicated by David Means. You can read her story “Holidaying with the Megarrys” in Willesden Herald: New Short Stories 7.
This is worth sticking with. Quite a few laughs along the way. He builds the talk itself like a story and it has a really cute ending. Kurt Vonnegut, Shape of Stories (with Spanish subtitles)
David Means, Defender Of The Short Story, On His ‘Instructions For A Funeral’ https://t.co/m9w6fm7qw4
— Bristol Prize (@BristolPrize) March 7, 2019
“The reader does most of the work. The reader does all of the imagining. You’re just giving them a set of instructions on how to hear and see something.” (David Means)