“It started with a miracle. It was a useless miracle, but it still counted as a jaw-dropper, a total malfunction of reason and time… I can burn my own bushes, so I have no patience for miracles.” (From the opening of Nightwolf by Willie Davis)
“Before you have the assumptions implicit in the first sentence, anything could happen. But once you have that sentence, you’ve narrowed your options down to a point where there really isn’t that much left to write.” —Dag Solstad https://t.co/gxCviUWqoC
“Angela Carter’s surreal imagination produced some of the most dazzling fiction of the last century. Pioneering her own distinctive brand of ‘magic realism,’ works like The Magic Toyshop and Nights at the Circus cracked open the middle-class conventions of the postwar novel and influenced a new generation of writers.”
For short story lovers, it’s her collection “The Bloody Chamber” that hits home. But, of course, it’s always novels that get more attention.
London’s Infinity Land Press and US-based Amphetamine Sulphate combine forces to present a late afternoon of scabrous readings, kinky imaginings and totally free fucking expression. Two publishers. Six writers. Limitless possibilities.
Steve Finbow is a writer and also a reader of prodigious talent. At the launch of New Short Stories 1 at Willesden Library Centre theatre, he gave us an excerpt from his novel “Balzac of the Badlands”. It was awe-inspiring: a rattling, unstoppable torrent of words – all brilliant – with a rhythm and pace, not too rapid but staccato, inexorable – that had beads of sweat rolling down his face. It didn’t let up from start to finish. His story “Mrs Nakamoto Takes a Vacation” is in NSS1.
This picture is of me after the interval at that event, brandishing a mocked-up copy of The Willesden Herald, as the strains of “Tell Me More and More, and Then Some” by Billie Holiday faded out. Oh yes, we had a sound man, mixing desk, theme songs and everything. Those were the days. Or were those later days all jumbled up? Yes, but who actually cares? But, yeah, look at those speakers -and theatre lighting- there. (Steve)