The New Yorker: “Are You Experienced?” by David Means

David Means

‘Means is the author of the novel “Hystopia” and five story collections, including “The Spot” and “Instructions for a Funeral,” which was published earlier this year.”‘

From the point of view of this blog: David Means was the judge for the 2013 Willesden Herald international short story competition, awarding the prize mug to a story by Danielle McLaughlin, which you can read in Willesden Herald: New Short Stories 7.

New Yorker: Louise Erdrich reads her short story “The Stone”

DonErdrich at the 2015 National Book Festival.‘t forget the new Twitter version provides a facility to “bookmark” tweets for later. This can help if you haven’t got time to read just now or have used up all your “free views” till next month. Direct link to text and reading: The Stone by Louise Erdrich.

Photo: “Author Louise Erdrich reading at the 2015 National Book Festival. Erdrich won the 2012 National Book Award for Fiction for her novel The Round House.” (Wikipedia)

The New Yorker: “She Said He Said” by Hanif Kureishi

Text and reading by the author in The New Yorker online (limit on free access applies)

“Hanif Kureishi wrote the screenplays for My Beautiful Laundrette and Le Week-End, among other films. He has published eight novels, including, most recently, The Nothing.

The New Yorker Summer Fiction Issue 2019

The flagship annual summer feast of fiction that keeps readers and writers delighted and hopeful respectively. See This Week In Fiction for many more short stories, interviews and readings.

New Yorker: Lore Segal reads “Dandelion” (March 2019)

A lyrical childhood memory piece of nature and family. It is well-read in the author’s beautiful accent, so evocative of the few treasured remnants of the Kindertransport children who made it to London, in this case from Vienna. (Ref. https://en.wikipedia.org/wiki/Lore_Segal). Other recent contributors to The Writer’s Voice podcast series include Sally Rooney and Yiyun Li. Introduced by the New Yorker’s fiction editor, Deborah Treisman.

You can also read the story, for the time being, online. It begins:

“That Henry James, when he got old, rewrote his early work was my excuse for revisiting, at ninety, a story I had written in my twenties. I was ten years old when I had to leave Austria, so the day with my father in the Alps must have taken place on our last family holiday, the previous August.” (Lore Segal)