“WELSH WRITER JO LLOYD WINS THE 2019 BBC NATIONAL SHORT STORY AWARD WITH ‘TIMELESS’ AND ‘DEEPLY TENDER’ STORY INFLUENCED BY BREXIT, SOCIAL DIVISION AND FOLKLORE” (BBC Radio 4)
“Welsh writer Jo Lloyd has won the fourteenth BBC National Short Story Award with Cambridge University 2019 (NSSA) for ‘The Invisible’, a distinctive and compellingly original story. Inspired by the life of an 18th Century woman from Carnarvonshire called Martha who claimed to be friends with an invisible family living in an invisible mansion, Lloyd discovered her story by chance in the online Dictionary of Welsh Biography. Set in a close-knit community, the story is both timeless and universal, and resonates profoundly in an age where fear of outsiders and social division is rife.”
Listen: Aimee-Ffion Edwards reads “Jo Lloyd’s hypnotic tale about the fantasies people embrace to make life bearable” The Invisible by Jo Lloyd.
This news continues a series of successes this year by previous Willesden international short story prize winners. Jo Lloyd won the Willesden in 2009 with her story “Work”, which you can read in New Short Stories 3.
“A disturbing and powerful story about growing up and coming to terms with life’s realities. Read by Carolyn Pickles. Produced by Simon Richardson.” (BBC Sounds, Summer Stories)
A typical (and typically wonderful) Lawrence story linking human desire to the relentless struggle, conflict and pathos of animals in nature. A powerful but deathly joy found in embracing the second best available mate. Listen
RTÉ has been a terrific supporter and host for the short story genre, through their annual Francis MacManus short story competition, an opportunity for 10 writers to have their stories featured on Irish national radio as well as a shot at one of the big three prizes. Irish short story writers, you’ll never get a better opportunity to be heard.
Check the rules carefully. For example, each page must end on a full stop; haven’t seen that one before but it makes sense for reading out on the radio. Postal entries only. Follow the rules carefully, check one-by-one. Otherwise you might as well throw your hat at it. (Steve)
“Ian McMillan gets into the subjunctive mood with brand new writing from Toby Litt, a new poetry commission from Holly Pester, on the subjunctive in welsh with Menna Elfyn and Rob Drummond explains why the subjunctive is dying out amongst the young…” (The Verb, BBC Radio 3, 1 Feb. 2019)